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Publications + Recorded Lectures available online
Click on the squares to download fulltext, excerpts or mp3 audio recording.
           
Monographs By Stankievech
  
Publications On Stankievech [selected]
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Charles Stankievech: The Desert Turned to Glass
  Editors: A. Roushan, D. Hannah, & N. Samman. Published by Hatje Cantz, Berlin, 2024.
  Contributions from: J.G. Ballard, Karen Barad, Walter Benjamin, Douglas Cardinal, Dehlia Hannah, Takashi Ikegami, Takafumi Kawakami, J. David Lewis-Williams, Clarice Lispector, Ala Roushan, Nadim Samman, Barbara Sherwood Lollar, Charles Stankievech, & Kim Tait.

   go The Desert Turned to Glass
     by Juliet Kothe for The Desert Turned to Glass at Sies + Höke, Oct 2024
           
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Charles Stankievech: LOVELAND
  K. Verlag | Press. 2011.

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The Desert Turned to Glass
     Text by Séamus Kealy for Oakville Galleries, Oct 2024
    Reprint of Interview: "Fieldwork: a converstaion between Charles Stankievech and Ala Roushan."
       
Publications By Stankievech [selected]
   go Meteor-logos
     by Dehia Hannah and Nadim Samman for The Desert Turned to Glass, Contemporay Calgary, 2023.
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Shaping Atmospheres: From Terraforming Land to Geoengineering Air
  Afterall Journal Vol.55/56. Univeristy of Chicago Press. co-authored with Ala Roushan

   go The Soniferous Æther of the Land Beyond the Land Beyond
     by Laura Brandon in War Art in Canada:A Critical History. Art Canada Institute. 2021.
           
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Breathe with Me, a Breath of Life: Material Mysticism in Clarice Lispector and Lygia Clark
  BREATHLESS, The Power Plant, 2021

Reprinted in Afterall Journal Vol.55/56. Univeristy of Chicago Press.

  go Radiant Light, Resonant Sound
     by Carmen Victor in Sculpting Cinema, Pleasure Dome, 2018
    Entire chapter critically focusing on multiple books.
           
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Sleep of Reason: An Atlas of the Philosophical Imaginary
  Afterall Journal, University of Chicago Press, Vol. 50, Fall/Winter 2020. With Ala Roushan, Dehlia Hannah & Nadim Samman.

   go Charles Stankievech: Sobey Art Award
     by Barbara Fischer, National Gallery of Canada, 2016.
    Critical Essay introducing the No6092 project (bilingual English/French)
           
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Extractavism
  Editorial Foreword.
  Afterall Journal, University of Chicago Press, Vol. 49, Spring/Summer 2020


   go Ultime frontière
     by Dominique Allard in Spirale, 2016
    Essay and Portfolio Publication (en français)
           
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The Drowned World
  Exhibition Catalogue for program at the IMAX Cinesphere, Toronto Biennial of Art, 2019  
  Including the essay "Archaeopsychic Archipelago"

Reprinted in Water, Kinship, Belief. Toronto Biennial of Art, 2022.

Reprinted in The Desert Turned to Glass. Hatje Cantz, 2024

  
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A World Without Us: Charles Stankievech’s The Soniferous Æther of the Land Beyond the Land Beyond
     by Carmen Victor. Prefix Iss.32. Nov 2015. Critical Essay and Portfolio of Work.
           
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Exhibit A: Notes on a Forensic Turn in Contemporary Art
  Historical trajectory of forensic analysis and its absorbtion in art discourse.
  Afterall Journal, University of Chicago Press, Vol. 47, Spring/Summer 2019


  
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Charles Stankievech: Prefix ICA
     by Milena Tomic. Art in America. Dec 2015.
           
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kinship, communitas, comunalidad
  Editorial foreword for Vol. 43
    Afterall Journal, University of Chicago Press, Vol. 43, Spring/Summer 2017

  
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Declassified Spy Outpost Lurks on the Dark Side of the Earth
     by Peter Brook. WIRED Magazine. June 11, 2013
             
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no6092: A Conjectural Catalogue
  Exhibition Catalogue for project at the National Gallery of Canada. K. Verlag. 2016

  
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Lands Beyond: Charles Stankievech's Intangible Archives
     by Pandora Syperek. Feature Article in C-Magazine Iss#116.
             
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CounterIntelligence: A Glossary of Doubled Agency
  The interconnected histories of art, military technology and espionage.   
    Afterall Journal, University of Chicago Press, Vol. 42, Autumn/Winter 2016

Reprinted from CounterIntelligence, a catalogue from JMB Gallery, University of Toronto

  
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Arctic Exposure: LOVELAND's Sublime Simulation of an Endless Apocalypse
     by Reilley Bishop-Stall. Peer-reviewed article in The Journal of Art Theory & Practice.
             
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The Centre Cannot Hold
  Exhibition Catalogue for Monument as Ruin. K. Verlag. 2015

  
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Performing Time, Performing Space
    Critical Essay by Marie Fraser, Chief Curator, Musee d'art contemporain de Montreal
    Catalogue for Quebec Trienniale 2011 (excerpt provided)
             
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Piercing the Screen of the Vegetable Kingdom: Remarks on Infrared
  Essay in Richard Mosse: Supplement to the Enclave. Broken Dimanche Press, 2014.

 
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34 Transmissions: Charles Stankievech and the North
    by Scott Rogers. Feature Article in Blackflash Magazine, Fall 2011
             
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Magnetic Anomalies in the Arctic Colonial Resource Extraction, Meteoric Cults, and the Rare Earth Age
  Essay. for RARE EARTH, TBA21 and Sternberg Press 2015. (Digital PDF addresses Erratum).

Reprinted in Thyssen-Bornemisza Art Contemporary The Commissions Book.

  
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   Nothing's About Nothing
    Critical Essay by Mark Lanctôt in LOVELAND monograph, 2011.
             
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Supercritical Decay
  Essay for e-flux Journal and the Venice Biennale 2015.

Reprinted in Supercommunity, Verso, 2017.
Reprinted in Julian Charrière: Second Suns, Hajte Cantz, 2018. 

 
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Over the Rainbow, Under the Radar
     by Vicky Chainey Gagnon. Catalogue Essay. Bishops University, 2011.
             
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LOVELAND: Charles Stankievech
  Monograph. Designed by Stankievech. K. Verlag | Press. 2011.

  
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Northern Light: Charles Stankievech
     by Bryne McLaughlin. Feature Article in Canadian Art. Winter Issue. 2010-2011.
             
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HOMELAND SECURITY (It's hard to find a good lamp).
  Artist Book. Published by Marfa Book Co. & Paper Pusher.

  
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   Charles Stankievech: Resonating the Intangible
    by Laura Paolini. Feature Article in Musicworks. Iss.106. Spring 2010.
       
   
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From Stethoscopes to Headphones:
An Acoustic Spatialization of Subjectivity
    Leonardo Music Journal (MIT Press). Vol. 17. Dec 2007.

  
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   A Colour, a Sound, a Substance, a Pain, or a Star
    by Meredith Carruthers. Exhibition Publication for Constellations.
 

 

        
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Cinema Remembers Through Subtraction.
   critical essay in the book Fiction/Function. Dazibao. Jan 2009.
   [bilingual edition english/français]

        
       
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MAGNETIC NORTHS
  exhibition catalogue. Leonard + Bina Ellen Gallery. Feb 2010.
  [also available online en français]

  
Printed Interviews With Stankievech [selected]
       
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The DEW Project
  project publication in 306090 (Princeton Architectural Press). Feb 2010.

  
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Contraditions: A Conversation with Richard Mosse
    Conversation between Richard Mosse and Charles Stankievech. Afterall Journal. Vol 55/56. 2023.
             
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London Y-Z: A Century of Tourism
   project publication from the Architectural Association Workshop. August 2008.

  
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The Future Was Yesterday
    Interviewed by Dehlia Hannah for the special issue "Climate Fictions" of Paradoxa Journal #31. Fall 2020
             
go   How I learned to stop loving and worry about Dubai.
   essay, photographs, and sound composition in the journal Inflexions. Vol. 2.		  
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   Outposting: Edgings Towards Art and Science
    Interview with Robert Enright in Border Crossings, 2013.
             
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Cinema, Gramophone, Radio: A Quiet History
   Artist Writing in Canadian Electroacoustic Community' journal eContact! Vol. 11.2

  
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   At the Ends of the Earth:
Spectral Signs and Outer Spaces in Charles Stankievech’s Newest Work
    Interview with Reilley Bishop-Stall and Natalie Zayne Bussey in Passanger Art, May 2013
             
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Freeze Frames: plus qu'une surface, moins qu'un volume
   monograph essay in David Spriggs: Archeology of Space. Feb 2009.
   Deutsch translation here.

  go   The Readymade Was Always A Trojan Horse: Charles Stankievech + Tim Johnson In Conversation About Homeland Security
    Interview in Interventions, Columbia University Journal, Feb 2013
             
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Cities + Memories [Lost Italo Calvino Fragment]
   short story published in the catalogue for the exhibition: Fatti e Finzioni. Sept 2006.

  
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   Marfa Lights
    Interview with Gregory Whitehead in Despardo Philosophy Despardo Philosophy, Oct 2012
             
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20 Exercises for an Empty Room
   conceptual writing for Scott Roger's Wirerame Exhibition at Stride Gallery. Jan 2010.

  
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   Distant Early Warning: "Rainbows + Rigor ... Mortis"
    Exhibition catalogue with Interview by Anna-Sophie Springer. Winter 2011.
             
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Sewing/Sowing: Cultivating Responsive Geotextiles.
   critical essay in Hylozoic Soil: Geotextile Installations. Fall 2007.

        
           
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Constellations : [ Art , Architecture , Acoustics ]
   interrelated meditations in the areas of sound and architecture
   [hypertext arrangement]

        
           
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Island of Discarded Plastic (Leonia)
  publication of the Venice artwork in Onsite Review. Fall 2006.